INFJ 9w1 Characters
Frederick believes Jo should have a singular purpose, and not waste her literary talent in writing things which are ‘not from the heart’; much like Marmee, he sees how she could be ‘so much more than this,’ and pushes her toward a future, greater version of herself. Frederick loves philosophy and poetry, and is eager to discuss different ideas and philosophies with her. His inferior Se shows in occasional impulsive decisions (coming to America, deciding to go west and teach when he believes she has married Laurie, etc) and in his great appreciation for occasional small sensory pleasures (buying her oranges and giving her brewed German coffee, taking her to the opera). He has a gentle way of correcting Jo, but also feels a need to be honest about his feelings; he self-criticizes for being severe upon her corpse and vampire stories and apologizes; he has a gentle, warm approach to her from the start, and feels immense distress when there is disharmony between them. He is always tactful in his approach, and concerned that “my hands are empty, I have nothing to offer you!” His interest in philosophy shows a tendency toward developing a greater worldview and framework of how he feels society works (Ti), and he often has insights into Jo’s true inner nature, which she has yet to discover for herself.
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Frederick has a gentle, quiet nature of calm about him, which draws others to him – even when interrupting his friends to let Jo speak, he’s polite about it. He is devastated at the thought that his surprise and criticisms (gently said) have upset Jo, and does his utmost to make it up to her, and be assured they are okay. He is willing to quietly slip out of her life, if it’s what’s best for her. He is known around the New York house as a warm, agreeable, and generous man who expects nothing in return for his kindness, and is inclusive toward everyone. He is tolerant of most people and their conflicting opinions. Frederick also has a strong sense of what is “right” – he doesn’t think Jo should waste her time and intellect on stories that have no deeper meaning, nor are expressions of “her soul.”





